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Karlovy Vary International Film Festival 2010
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In these times
of spiritual doubts, of search of identity, the work of T.K.Kim is primarily based
on the effort to turn the glance of each spectator towards the interior
of itself, and not to be consolidated in a surface universe of reflections
and appearances.
Her world, populated primarily
of women with excessively long neck,
symbols of aesthetic melancholy or pensivity
lascive- is dominated most of the time by tone heats, being spread out
red sinks with orange more yelling.
The supports
also exploit a decisive part on the work of T.k.Kim, because they direct
her brush. Flax canvas will be worked differently than the
wood boards recovered in various situations, ( past, scratches, tears ). The irregularities and spots of wood were used as starting
point for The History, murmured by the character
The visitor can like the strength and
energy, temparture in TKKIM paintings.
One can feel the symbolism and emotions as if
they were your own. The use of colour is tremendous.